Who needs kick-the-can when you can play el trompo, Cuban-style, or rod-gul-gron-stop like a Dane?
Those are just two street games filmmaker Jules Oosterwegel discovered on a 15-year project that captured children's street games from around the world. They're part of a 300-game lineup that includes Vietnamese variations of blind man's buff, a Bolivian stone-tossing game much like jacks without the ball, and a Dutch clapping game familiar to youngsters the world over.
This weekend you can see them yourself when Oosterwegel's playful documentary, "Playtime," is screened as part of the Bay Area International Children's Film Festival, which runs Jan. 23-24 in Alameda. After the movie, the
"It's kind of magical," says festival co-chairman Lisa Fitzgerald, who first discovered Oosterwegel on the Netherlands public broadcasting Web site. "They're like these mini-documentaries, capturing children in different cultures all over the world, playing slightly different versions of the same games."
The games aren't all simply variations of hacky sack and tag, of course. Some, in fact, are quite unique. But it was the universality of the laughter and frolic that proved irresistible to Fitzgerald and her committee.
They're also what first attracted Oosterwegel 15 years ago on a trip to Indonesia.
"Why should I see that and not everybody else?" he says. "I went home and did some research about how much was being filmed on this topic of street games. There was hardly anything."
It's midnight in the Netherlands, two weeks before the festival, but Oosterwegel's voice brims with enthusiasm as it floats across the phone lines. So far, he has filmed more than 300 children's games in Asia, Africa, South America and Europe, his cameras rolling as children jumped through enormous hopscotch games in Botswana, and wove through the strings of a jogo de barbante — cat's cradle —in Brazil. Fifty of those games form the documentary "Playtime."
"You try to find out the real idea of why children play and how they play," says Oosterwegel, "and every place it's different. You have a lot of games that are universal, but the way children from the northern countries play is very different from children in tropical countries."
There's a grand scheme here — Oosterwegel is concerned about childhood obesity and he hopes that his film encourages kids to be more physically active.
But games are also part of a culture's oral tradition, passed down from child to child, whether it's jump rope, hopscotch or Muurball.
Those hours of play imprint themselves on the brain so thoroughly, says Oosterwegel, that even old-age retirees who swear they don't remember any games light up when a specific one is mentioned.
"You awaken the memory of those games," he says, "still sleeping in your mind."
That's the wonder of the documentary as well. As images flicker across the screen, a quartet of giggling Danish boys spins away from "it" in a game very much like tag, yet not quite. A line of Dutch girls leaps over a flying ball in a game that evokes a wilder version of wall ball. And a group of giggling Zimbabwean boys give dodge ball an entirely different take when the targets are racing to complete a task in the midst of those flying orbs.
Quick. Go outside and play.
-- Games featured in Jules Oosterwegel's documentary "Playtime"
Children's Film Festival